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 ©Tony Ferguson, 2009

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About:  Resume  Artist Statement  Teaching Philosophy  Biography  Thought Process  Inspiration  Forming Stages  Glazing, Loading, Firing  Wood Kiln Opening  Writing  China Trip

 

Artist Statement

My work is for the eyes, hands, and the heart.  I attempt to create pottery and sculpture with the same dynamic energy as my mentors and the Shigaraki and Bizen artists of traditions’ past--yet as an American who as been inspired by these fine works.  I am attracted to the sculptural qualities of the stoneware clay body I use--its earthiness and rawness of being, its masculinity and coarseness-it is all there for you to see--it is a heavily grogged, iron-laden stoneware body that is single fired or bisqued.   I also use its polar opposite, porcelain, with its silky smooth, feminine character, its whiteness and purity, it softness and kindness to my hands allows me to communicate something the stoneware can not. 

The works are glazed with shino because of its atmospheric interaction, earthiness as well as ash, temmoku, crystalline and salt glazes.  I enjoy the green gems of pooled ash and the depth of the clay/glaze relationship that my anagama wood firing process allows or my layering of glazes approach I take with the cone 10 gas kiln.  With its torn and rough surfaces on the outside, its smooth and gentle pushed surfaces on the inside, my work is about struggle and development, searching and finding as one progresses along their own pathway.

Like the Zen Tea Masters and their Taoist influence, I try to coordinate the elements in space, set the canvas of the clay up for the “Happy Accidents” to take place in my work. 

It is a relationship between myself, the clay, glazes and firing process and something else that is a mystery that keeps me working in and continually drawn to clay with a variety of firing processes and particularly the wood firing process--for the wood firing process embodies all the five elements:  earth, air, fire, water, ether, and their enveloping relationships of fusion and timelessness.  Under the starry night, this exciting and unbelievably labor intensive process brings me into the forge of creation—a soul expressing itself on the curtails of the creator, a child imitating its father, a spirit making its way in this creation, creating, developing, becoming.

 

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